Army Tank Drawing – Now we have to draw in a guide for the main gun, and two create this we need to draw a long cylinder. Perspective plays a very important part with this section of the tank, so keep it in mind as you are drawing.
The closer to the viewer the cylinder is, the larger the end should be, as you can see in the picture. On top of the turret sit two separate machine guns. Two capture these, we need to draw a few thin rectangular boxes, and the first
Army Tank Drawing
sits almost upright on its end. Additional weaponry beside the main gun has been in place since they first appeared in warfare. Now we are going to work on the driving wheels, but before we do, I would advise it is a good idea to practice drawing circles and
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ellipses. You will need to be comfortable with this to carry out the following steps. Having done the upper part of the tank, we can now move on to the lower body. Thanks to perspective, some of the tank is hidden, but be
careful when you are drawing that you do not spoil the construction work you do have done. A second wider box needs to be drawn and placed on its side alongside this first box, depicting the second gun emplacement, which sits
slightly lower than the first. This gun also has a shield around it, which is why we need to draw a wider box. A hundred years ago in 1916, during WW1 on the battlefields of the Somme in Northern France, a revolution in armed conflict made its first appearance.
This weapon was the tank! In this tutorial, come and learn how to sketch and construct a truly historic piece of modern warfare. After the extractor, we need to draw a third cylinder for the end of the main gun, and again you must pay close attention to yours
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perspective as the end will be very close to the viewer, thus increasing the drama. To the right of the driver sits the hatch cover, which can be moved to one side when the driver takes up his position.
To the driver’s left is an inspection cover which also needs to be added. One of the earliest designs, the Mark 6 tank from 1916 (top), did resemble pretty much a mobile box, whereas the Lee and
Sherman American tank of WW2 (bottom) incorporates a similar design to that we are used to seeing today. Also at this point, if you are inking your drawing, you can flip your canvas horizontally if you wish to do so.
And at last we have a completed tank! Now you can clean up everything your construction lines, and you should have a completed drawing. Moving down to the main body of the tank, we can now also
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add the driver of the tank. Like the soldier we have already drawn, he is mostly obscured, but you can still see his head poking out of the driving hatch. We shall also add the machine gun that sits on top of the tank;
at this point take great care as you draw, as this particular piece of the tank has a lot of fine details. A good drawing will pay off in the long run! Now that we have a layout for our tank, we shall start going into
more detail with our drawing. Working from left to right (or if you are left-handed you can work the opposite way), we are going to start with the end of the main gun, including the sights on the top.
You can now add a touch of color to your drawing to bring your illustration to life. With the tank revolutionizing warfare, battles began to cover larger distances much more rapidly, but that still has not diminished
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the reality that many lives have been lost over the last century, and it is those lives that we should never forget. For this drawing we are going to be using two vanishings points. These points need to be correctly placed, and with this picture these
have to be placed off the page in order to make the dimensions of the tank more believable. Therefore, to set this up correctly, you may have to use a single piece of masking tape placed on either side of your canvas and then add both of
your points using a steel ruler and marking them with a cross. Now that we have a more refined basic sketch of our tank, we can add some of the finer details that will really make our piece stand
out. We shall start first with the four radio aerials that are vital for communication in battle.
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Emma Nehls is a military writer and historian with a passion for exploring the intricacies of warfare and the human experience within the military. With extensive knowledge and a deep understanding of military strategy, tactics, and historical contexts, Nehls brings a unique perspective to his writings.
